诗歌翻译

❶ 诗歌能被翻译吗

在欧洲，少数人认为诗歌是不能翻译的：（1）意大利作家（如埃科）所引用的熟语—译者即背叛者（trattore, traditore. A translator is a traitor）（2）德莱顿《奥维德书信集》译序中引用的邓汉姆的评论—诗具有一种微妙的精神，当你把它从一种语言移入另一种语言的时候，那种精神就会完全消失。你如果不把一种新的精神加入译文，那来，译出来的东西除了一堆渣滓外就什么也没有了。（Sir John Denham (who advised more liberty than he took himself) gives his reason for his innovation, in his admirable preface before the translation of the second Aeneid. “poesie is of so subtle a spirit, that in pouring out of one Language into another, it will all evaporate; and if a new spirit be not added in the transfusion, there will be nothing but a Caput mortuum, ”） The poetical works of John Dryden, Volume 5 p9 （3）雪莱《为诗一辩》的批评—译诗是待劳无益的，把一个诗人的创作从一种语言译成另一种语言，犹如把一朵紫罗兰投入坩埚，企图由此探索它的色泽和香味的构造原理，其为不智一也。（Hence the vanity of translation; it were as wise to cast a violet into a crucible that you might discover the formal principle of its color and odor, as seek to transfuse from one language into another the creations of a poet. The plant must spring again from its seed, or it will bear no flower—and this is the burden of the curse of Babel.）（4）弗洛斯特所谓诗就是翻译中失去的东西。（You've often heard me say – perhaps too often – that poetry is what is lost in translation. It is also what is lost in interpretation.）Louis Untermeyer，Robert Frost: A Backward Look 据泰特勒Tytler《翻译原理》，郑振铎《译文学书的三个问题》（1921）极简略地介绍了前三种说法。戴望舒回应了邓汉姆的评论，《诗论零札》（1944）写道：“说‘诗不能翻译’是一个通常的错误，只有坏诗一经翻译才失去一切。因为实际它并没有‘诗’包涵在内，而只是字眼和声音的炫弄，只是渣滓。真正的诗在任何语言的翻译里都永远保持它的价值。而这价值，不但是地域，就是时间也不能损坏的。翻译可以说是诗的试金石，诗的滤罗。不用说，我是指并不歪曲原作的翻译。”

在欧洲，少数人认为诗歌是不能翻译的：（1）意大利作家（如埃科）所引用的熟语—译者即背叛者（trattore, traditore. A translator is a traitor）（2）意大利克罗齐《美学》的论点：与这个道理相关的一个道理是翻译的不可能性：如果翻译冒充可以改造某一表现品为另一表现品，如移瓶注酒那样，那是不可能的。在已用审美的办法创作成的东西上面，我们如果再加工，就只能用逻辑的办法；我们不能把已具审美形式的东西化成另一个仍是审美的形式。每一个翻译其实不外乎（一）减少剥损，以及（二）取原文摆在熔炉里，和所谓翻译者亲身的印象融合起来，创造一个新的表现品。就第一个情形说，表现品始终还是原文的那一个，翻译既有几分欠缺，就不是真正的表现品；就第二个情形说，表现品确有两个，但是两个内容不同。‘不是忠实而丑，就是不忠实而美’这一句谚语可以见出每个翻译者所必感到的两难之境。非审美的翻译，例如字对字的翻译，或是义译，对于原文都仅能算注疏。（3）英国约翰·邓亨《埃尼德》译序的评论—我觉得译诗的一个大毛病就在于死译。让这个谨慎给那些从事于忠实的事的人保守着；但是无论什么人如以此为译诗的宗旨，他所做的实在不是必要的，并且他也永不能成就他的试验；因为他的事业不仅是译一种文字而为别一种文字，乃是译这首诗而为别一首诗；而诗呢，则是具有一种奥妙的精神的，由这种文字而转于那种文字上时，他就完全蒸散了；如果没有一种新的精神，加在译文里，那么，除了无用之物以外，更没有什么东西存留着呢。（I conceive it is a vulgar error in translating poets, to affect being fis interpres; Let that Care be with them who deal in Matters of Fact, or Matters of Faith ; but whosoever aims at it in Poetry, as he attempts what is not required, so shall he never perform what he attempts; for ‘’tis not his business alone to translate language into language, but poesie into poesie’ and poesie is of so subtle a spirit, that in pouring out of one Language into another, it will all evaporate; and if a new spirit be not added in the transfusion, there will be nothing but a Caput mortuum,） Richard Steele,Joseph Addison, The guardian. No. 164 p303 Poems and translations: with The sophy, a tragedy. Written by the Honourable Sir John Denham p15（4）雪莱《为诗一辩》的批评—译诗是待劳无益的，把一个诗人的创作从一种语言译成另一种语言，犹如把一朵紫罗兰投入坩埚，企图由此探索它的色泽和香味的构造原理，其为不智一也。（Hence the vanity of translation; it were as wise to cast a violet into a crucible that you might discover the formal principle of its color and odor, as seek to transfuse from one language into another the creations of a poet. The plant must spring again from its seed, or it will bear no flower—and this is the burden of the curse of Babel.）（5）弗洛斯特所谓诗就是翻译中失去的东西。（You've often heard me say – perhaps too often – that poetry is what is lost in translation. It is also what is lost in interpretation.）Louis Untermeyer，Robert Frost: A Backward Look （6）柏格森《形而上学导言》—又如将一首诗译成各种语言，这些译文在声色气势等方面彼此修饰订正，从而提供一个对于原诗越来越真实的形象，但它们仍然永远无法表现原诗的内在含意。从一定的角度所取的肖像，以一定符号所构成的译文，与所取的那个角度所要摄制的或者说符号所要表达的那个对象相比，永远是不完满的。P3 （7）约翰逊：诗实在是不能译的；所以唯有诗人能保留文字的佳妙。倘若我们能够在译本中寻找原作品的妙处，我们可以不必费神去学习他国的文字了。因为诗的美妙除在本国的原著外，决不能被别国保留着，但是我们能够研究这文字而领会诗的好处。‘You may translate books of science exactly. You may also translate history, in so far as it is not embellished with oratory, which is poetical. Poetry, indeed, cannot be translated; and, therefore, it is the poets that preserve the languages; for we would not be at the trouble to learn a language, if we could have all that is written in it just as well in a translation. But as the beauties of poetry cannot be preserved in any language except that in which it was originally written, we learn the language.’ Johnson to Boswell, Life of Johnson

❷ 英语诗歌带翻译

题目：I hear America singing（沃尔特.惠特曼）

I hear America singing,the varied carols I hear,
我听见美国在歌唱，歌谣各式各样。
Those of mechanics,each one singing his as it should be blithe and strong,
机修工们在歌唱，每个人都在唱着快乐雄壮的歌。
The carpenter singing his as he measures his plank or beam,
木匠们在歌唱，一边测量木板和横梁。
The mason singing his as he makes ready for work,or leaves off work,
泥瓦匠们在歌唱，准备妥当去工作，或者收工要回家。
The boatman singing what belongs to him in his boat,the deck hand singing on the steamboat deck,
船夫在歌唱，就唱这木船上属于他的一切，还有船员在蒸汽船的甲板上唱。
The shoemaker singing as he sits on his bench,the hatter singing as he stands,
鞋匠们在长凳上坐着唱，帽匠们站着唱。
The woodcutter's song,the ploughboy's on his way in the morning,or at noon intermission or at sundown,
伐木工和耕童也一路唱，无论是早上，午间休息还是日落时分。
The delicious singing of the mother,or of the young wife at work,or of the girl sewing or washing,
母亲们唱着动听的歌曲，少妇们一边工作一边唱，姑娘们缝纫洗衣时也要唱。
Each singing what belongs to him or her and to none else,
每个人都在唱着只属于他们自己的歌。
The day what belongs to the day——at night the party of young fellows,robust,friendly
白天有白天的歌，晚间则是年轻人的聚会，充满友情和活力。
Singing with open mouths their strong melodious songs
他们放声高歌，歌声优美而嘹亮

不知道符不符合你的要求？给我的悬赏分吧。

❸ 诗歌翻译：

请记着我，当抄我离去之后，
当我走袭入永恒的沉默中后，
当你再也无法握住我的手，
而我再也不能转身离去
又回头欲留时，
当你告诉我的
对我们未来的憧憬
都消失以后
请记着我。
你知道那时哀求和祈祷
都已太迟，
只是请你记着我。
如果你偶尔忘了我，
请不要难过，
因为我曾有的思想的痕迹，
早已随着黑暗与腐烂远离。
如果你忘了我，
你会笑得开心些，
而记着我，
只能让你伤心难过。

❹ “诗歌”的英文翻译是

1.poems and songs和poems两个都可以

2.poems and songs（诗歌和歌曲）

3. poems
n. 诗歌，诗集（poem复数形式版）

例句权
1.Many poems and songs use words that rhyme.（poems and songs）

很多诗歌和歌曲用词都很押韵。

2.He read the poems with cadence.（ poems ）

他抑扬顿挫地朗诵诗歌。

❺ 诗歌翻译

马嘶鸣在已经来苍黄的原野
金秋的天源气开始微凉
收获后的瓜田显出了荒陇
晚熟的梨子沉甸甸的压弯树枝挂在墙上
初升的月亮勾起了思乡的情结
多少亲人朋友只能隔水相望
孤独的行走在秋天的原野兴致已尽
更加不能忍受那夕阳下的惆怅和荒凉

❻ 英文诗歌翻译

这是余光中的《乡愁》

乡愁 余光中
小时候
乡愁是一枚小小的邮票
我在这头
母亲在那回头
长大后答
乡愁是一张窄窄的船票
我在这头
新娘在那头
后来啊
乡愁是一方矮矮的坟墓
我在外头
母亲在里头
而现在
乡愁是一湾浅浅的海峡
我在这头
大陆在那头

❼ 中文诗歌翻译成英文 ...

Flowers and freedom

The inspiration of life, vivid on the land.
The scene of love and hate, is so full of hope.
My freedom, and flower, full of blood and sweat
- as well as in the heart of black spot.
Masters of silently meditating under sunshine, don't heart.
Quietly looking hard crystallization and amorous.
Is acid is sweet is suffering is hot, or dry?
- is there blue hugged and between heaven and earth.
Choose of the land, and the shimmering sea waves, the dection of freedom, and flowers in full bloom with a surprising expressions, in the sunlight and rain cursing of beauty and ugliness, and the figure of his immortal words and shining.
Is a flower which was decorated with the small safe haven,
Is a free, feeding me hungry and lonely soul!

❽ 诗歌翻译（中文--英文）

"The great victory of the motherland to open up the way the sun before the next line."

Sovereign country, beautiful, rich, divine China;
You breed a vast land of China, you gave birth to the 1.3 billion Chinese descendants.
You like that general blue sky, is so boundless and deep;
I like the eagle that fly the shuttle in that silk thread white clouds;
Endless truth, let me bitter cable, follow.

Sovereign country, beautiful, rich, divine China;
You use heroic body, sent packing eat my flesh and suck my blood were eroded.
You like that vast grassland, is so solemn and holy;
I like the horse that resume the task, toward the end of that victory;
That awe-inspiring mission, so I am full of shock, awe.

Sovereign country, beautiful, rich, divine China;
You use that wisdom to the brain, hard-working hands, creating a unique in the world of reform and opening up.
You like the desert that gold is so peaceful and quiet;
I like the camel that find hope, hard to find that oasis of life;
That broad-minded, let my soul habitat, snuggle.

Sovereign country, beautiful, rich, divine China;
You in the sun on the road ahead and the future lead us to prosperity, prosperity.
You like that blue ocean is so magnificent and glorious;
I like that persistent blue whale, swimming in the white spray into;
That sense of agitation, I stirred the hearts of a spark, sounded Jubilee!

"Social ah society."

Social ah, social
How poor you are!
You do not have enough money
Not have enough spending!
However,
You have to create the spirit of revolution
Your extension or the rules of survival mode and take so simple!

Social ah, social
You began to boom,
Become rich and strong!
You begin to create potential
Up an opportunity!
Yes,
You have become not so simple!

Social ah, social
After several generations worth of effort,
You have to prosperity!
People seem happy,
Country appears prosperity!
However,
You have complicated call!
Your people,
Objections,
Can not call!
Call, and
Will have been revenge!
Money has begun to replace everything,
Objective has been started to measure everything!
You,
Great social,
Although prosperous,
But being away from our original,
Good,
Community!

"You, as a modern society, adding to the truth."

Learning,
Is to create a better future;

PubMed,
Is a way to prove successful;

Reading,
To the future in the world to show off;

Ecation,

Is a measure of one important criterion for success;

Morality,
Is the best way to package their own;

Camouflage,
Another synonym is moral;

Language,
Is another manifestation of hypocrisy;

Exchanges,
With the social complexity and complex;

Love,
With the money, corruption and corruption;

Obligations,
With the human undone and undone;

Faith,
Thus becoming the most in need of modern knowledge;

Patience,
Is a sign of improving human nature;

Hidden,
Another is the distillation of patience;

You,
Added to a modern society the truth!
Thank you!

❾ 诗歌翻译

上阳宫是唐朝皇帝建在洛阳的一个行宫，开元天宝年间，宫女数量激增，很多美女被安置到各个行宫，作为嫔妃储备基地，上阳宫即为其中之一。但是由于杨贵妃的专宠，她们的结局其实已经注定，那就是一辈子都没有机会见皇帝，在日复一日的期盼中老死行宫，这也就是《上阳宫望幸》题目的意思。除了刘长卿，杜甫、元稹、白居易等人都写过上阳宫人为题材的诗歌，伤感这些女子的遭遇，后来很多人还上书请求皇帝释放超龄宫女出宫。
言归正题：玉辇西巡久未还，春光犹入上阳间：
皇帝巡幸西方，久久不回，上阳宫还是年年迎来春光。（西巡是唐代文人对唐玄宗在安史之乱时逃出长安避难入蜀客气的说法，唐玄宗的逃跑意味着他政治生命的告终，这些为他准备的美女结局可知。但是对于宫女们来说，皇帝一天没有驾崩，似乎还有渺茫的希望。）
万木长承新雨露，千门空对旧河山。
春回大地，草木被雨露滋润，重焕生机。可是宫中百千的宫女们打开门，看到的还是去年一样的景物，没有一点新的消息。（雨露有双关意，古代宫中嫔妃被皇帝宠幸，叫做恩承雨露，这里用对比的写法，感叹花草树木都可以得到大自然的恩泽，年年春天焕发生机，被关闭在深宫中的宫女们却无人垂怜，任由光阴虚掷，辜负青春，人可怜起来还不如草木。）
深花寂寂宫城闭，细草青青御路闲。
深寂的宫中，宫花却开得灿烂锦簇；车马绝迹的御道上长满了细草。（用春光中富有生机的花草来反衬行宫的寂寥荒废，希望一天天少下去，结局似乎已经在眼前，两句突出宫女们的痛苦无奈。）
独见彩云飞不尽，只应来去候龙颜。
被禁锢的呆板生活中，唯一自由和有点变化的就是天上的云彩了，你看它们飞来飞去，不肯停歇，难道也是在为等待皇帝驾临做准备吗？（彻底的失望固然令人叹息，但是诗人结尾笔锋一转，借行宫宫人的目光所及，转为写天上云彩，以拟人化的手法，写活了宫女们对自由的渴望，对改变命运尚存的期冀。让读者更动容于她们在一片死寂中的苦苦挣扎，痛澈心脾。）