梅蒂老人的名句
老吾老以及人之老，幼吾幼以及人之幼。
孝子之養也，樂其心，不違其志。
父母之年，不可不知也。一則以喜，一則以懼。
惟孝順父母，可以解憂。
孝子之至，莫大乎尊親。
Ⅱ 關愛老人的名言名句
常回家看看。百善孝為先，百孝順在前。樹欲靜而風不止，子欲養而親不待。
Ⅲ 老人與海中老人說的名句
《老人與海》是一本看了之後讓人受益匪淺的名著。它裡面有一句話最為經典，那就是「一個人並不是生來要給打敗的，你盡可以把它消滅，但就是打不敗它。」這句話至今給我留下了很深的印象。
01、一個人可以被毀滅，但不可以被打敗。
在《老人與海》的故事中，老人一直航行過程中和大鯊魚進行斗爭。其實他完全可以把沙丁魚解下船，自己便可以安全地回去。但是他沒有這樣做，因為他內心的信念告訴自己：我能夠打敗他。他堅定地認為他有能力把沙丁魚運回去，所以他沒有服軟。他不害怕被鯊魚吃掉，他絕不被鯊魚打敗。
02、生活總是讓我們遍體鱗傷，但到後來，那些受傷的地方一定會變成我們最強壯的地方。
這句話也是出自於《老人與海》裡面的老人的內心獨白。他在斗爭鯊魚的時候有過受傷，但是他不退縮。因為他知道，不管他能不能完全戰勝鯊魚，他都會有收獲的。這其實就像是我們的生活，我們難免遇到大的挫折，但是只要我們能夠咬緊牙關去闖，我們總能從中獲得些什麼。
03、不過話得說回來，沒有一件事是容易的。
老人運沙丁魚回家不容易，在航行中遇上鯊魚並與之斗爭就更不容易了。這其實就是在暗指我們的生活，生活中的每一件事都其實是要花心思動腦筋的，都是不容易的。但是我們必須要生活，所以只能自己慢慢克服一個又一個的困難。這些困難並不是最可怕的，可怕的是自己的內心不夠強大，承擔不起重量。
Ⅳ 求關於贊揚老年人的名人名言（要註明出處~）
1、老來驥伏櫪，志在千里自。烈士暮年，壯心不已。——三國 曹操 《龜雖壽》
白話譯文：年老的千里馬雖然伏在馬槽旁，雄心壯志仍是馳騁千里；壯志凌雲的人士即便到了晚年，奮發思進的心也永不止息。
2、歲老根彌壯，陽驕葉更陰。——宋 王安石《孤桐》
白話譯文：年歲越老根越壯實，陽光越強，枝葉越顯得茂盛蔥郁。
3、年高可可以帶來智慧與經歷。——王爾德《道林·格雷的畫像》
4、對老年人的尊敬是自然和正常的，尊敬不僅表現於口頭上，而且應體現於實際中。——戴維·德克爾《海燕》
5、垂頭自惜千金香，伏櫪仍存萬里心。——元 郝經《老馬》
白話譯文：它雖然力不足而心尚不老，仍然自珍自愛，期望著有朝一日能再馳騁於萬里疆場之上。
6、一個老年人的死亡，等於傾倒了一座博物館。——高爾基《母親》
7、老年，好比夜鶯，應有他的夜曲。——康德《實踐理性批判》
Ⅳ 關於老年人的名人名言
1、老驥伏櫪，志在千里；烈士暮年，壯心不已。——曹操
2、老驥思千里，飛鴻閱九洲。——宋·戴復古
3、老來受尊敬，是人類精神最美好的一種特權。——司湯達
4、老年的悲劇不在於一個人已經衰老，而在於他依舊年輕。——王爾德
5、老年人總以為自己狡猾。——托·富勒
6、老年時像青年一樣高高興興吧！青年，好比百靈鳥，有它的晨歌；老年，好比夜鶯，應該有他的夜曲。——康德
7、老年有這么多缺陷和愚蠢，又這么容易受人恥笑。一個老人能夠得到的最好收獲不過是家人的仁慈和愛，統領和敬畏已不再是他的武器。——蒙田
8、老去悲秋強自寬。——唐·杜甫
9、老去心情隨日減，遠來書信隔年間。——唐·元稹
10、老吾老，以及人之老；幼吾幼，以及人之幼。——孟子
12、沒有父母的愛培養出來的人，往往是有缺陷的人。——馬卡連柯
13、每個老人都抱怨世界在墮落，抱怨下一代的無禮和傲慢。——塞·約翰遜
14、莫把心愛的兒子留在你身邊，放他出外鍛煉才會名滿天下。——泰國
15、莫道桑榆晚，微霞尚洛天。——唐·劉禹錫
16、母親的心是兒女的天堂。——義大利
17、你不同情跌倒在地的老人，在你摔跤時也沒有人來扶助。——印度
18、年高可可以帶來智慧與經歷。——英國
20、人老無能，神老無靈。——清·李漁
21、人老自多愁，水深難急流。——唐·李端
22、日落西山，氣息奄奄，人命危淺，朝不慮夕。——晉·李密
23、獅子老了狼也譏。——阿拉伯
24、世無老而不學之理。——德國
25、誰言寸草心，報得三春暉。——孟郊
26、歲老根彌壯，陽驕葉更陰。——宋·王安石
27、提琴雖老，仍可奏出好曲子。——英國
28、晚年惟好靜，萬事不關心。——唐·王維
29、為了孩子，我的舉動必須非常溫和而慎重。——馬克思
30、為人年老沒心機，為筍年老沒人吃，熬糖老了第一苦，殘花莫望春風時。
31、我望著搖籃，我的兒子在成長，我沒有休息的權利！——何塞·馬蒂
32、無情未必真豪傑，憐子如何不丈夫。——魯迅
33、五十歲時，你開始厭倦世界；六十歲時，卻是世界厭倦了你。——沃克森夏安納
34、挾泰山以超北海，此不能也，非不為也；為老人折枝，是不為也，非不能也。——莊子
Ⅵ 老人與海中的50句經典語句
「可以捉到一千磅的大魚」
當他的大魚被鯊魚吃得僅剩下一副骨骼時，他自問：「可是，是什麼把你打敗的呢？」「什麼也不是……是我走得太遠啦。」老人勇敢地承認了自己的失敗，卻又絕對相信自我的力量。相信他縱然是失敗依然勇敢無比，相信在精神上並沒有敗給鯊魚，因為被消滅的是鯊魚，而不是自己，正是基於對待失敗的勇敢、毫不氣餒的精神，桑提亞哥體會到：「一旦給打敗，事情也就容易辦了」。
「現在只要把船盡可能好好地、靈巧地開往自己的港口去。」
「上面是一面千窗百孔的帆，上面先後補上了一些麵粉袋，如一面標志著被打敗的旗幟，」
「這算什麼，男子漢就得這樣。」
「去他媽的什麼運氣，我要運氣跟我走。」
。「海洋是仁慈的，十分美麗的，」最終給予了老人一條「比小船還長兩英尺」的大馬林魚。
「什麼是一個人能夠辦得到的」，「這一個總要去殺死那一個」，
「他扛著桅桿坐在那兒」，還有他睡覺的姿勢，「兩條胳膊直直地伸在外面，兩只手心朝上，就這樣瞅著了。」
人面對的兩難結局,有人說他沒打到魚雖然是一副骨架卻賣不了錢;有人說他打到魚了雖然是一副骨架......
當然．最經典的好象還是公認的」夢見了獅子
1
The Old Man and the Sea is the most classic and concernful novel of Hemmingway's. Its compendious expression and exciting fighting narrative attracts numerous readers. The author repeatedly emphasized his customary key thoughts in the story: despairing courage, struggling on both physically and psychologically, and the hero's brave, glory and noble character.
One of the pivotal sentences, "a man can be destroyed but not defeated" draws our attention. This sentence is gorgeous in surface but a little doubtful in a certain angle. In the end of the story the old man told to the boy that he was a loser who beaten by the sharks. With his bloody hands and the skeleton of the fish, it was really difficult to judge that he was defeated or not. However, he was undoubtedly destroyed in the fighting at the hopeless sea. Therefore, the difference between "destroy" and "defeated" was just something untraceable. We are not expected to tell one word form another, but to feel the antinomy and contact of them.
This sentence from the old man was also a reflection of the author himself. Sometimes we may treat a novel as some indivial and emotional words. The old man and the sea were the symbols of the author and his life and destiny. As we know, Hemingway suffered a lot from his broken life ring two ruthless world wars. In his late years, he was a successful litterateur but also a disable old man. He ended up his life with suicide. It's too arbitrary to say he was defeated from his fate, and also too shallow to use the word "destroy" in his experiences.
In my opinion, the most splendid thing in Hemmingway and his the Old Man and the Sea is not the VICTORY OF DEFEAT, but the relationship between the two words "defeat" and "destroy" as well as the novel and the author.
2
I have read the American well-known Hemingway』s book 『』 the old man and the sea』』, which came out in 1976. This is a true story about an old fisherman battling with a giant marlin in the sea.
The old fisherman, who names Santiago, have not caught any fish for 84 days , other fishermen looks down him as a loser, but he never gives up. Finally 85th days, he fishes a big marlin fish which is bigger than his skiff and over fifteen hundred pounds. The fish begins to tow him farther and farther out to the sea, but he still holds onto the line, even though a hand is cramping, he don』t give up it. After two days and two nights』 crucifixion, at the end he kills the fish, and attaches the marlin to the outside of the skiff with rope, it』s blood leaves a trail in the water and attracts sharks in return journey, he comes to strike back against and uses to all tools which are harpoon, knife, and quant . When Santiago returns to harbor is left over with the fish head fishtail and one backbone. Although the flesh of fish has been got rid of all quilt barking, what also has no way to devastate his brave will. When he lay down on the bed at home, he makes a usual dream of lions at play on the beaches of Africa.
This story happened in 1940th near a Gulf Stream in Cuba. The main character Santiago is an old man, who fishes alone in a skiff in the Gulf Stream and lives a small village. He is characterized as someone struggling against defeat. The second character Manolin is a young boy whom Santiago teaches to fish. The litter boy is his loyal friend. Language is great simplicity and power. The theme of courage in the face of defeat, of personal triumph won from loss. It is a song of praise of heroism.
The Author, Ernest Miller Hemingway is a famous writer in the literary world. 『』The old man and the sea』』 was written in 1952, and it is one of Hemingway』s most enring works .It won the 1954 Nobel Prize for Literature. The author wants to told readers ,you will be supposed to like this old person same mind lofty aspiration, and will even better pursue even better, the bigger goal, don』t easy give up your goal in your life.
The novel shows a view about struggle of life, even in the face of nature can』t be conquered, but still can be moral victory. Perhaps the result of a failure, but I n the struggle of process, the reader can see how a person become an indomitable spirit of man. I like the main character Santiago and the classic saying 『』But man is not made for defeat. A man can be destroyed but not defeated』』, because this is Santiago』s faith of life, and the human will not fail also, the enterprise spirit of a carols. It is encouraging me to face up to life with smiles no matter what happens. It's a simple story, but offers the reader much to think about without lapsing into the didactic. I am strongly recommend that book.
3
THE OLD MAN AND THE SEA
Ernest Hemingway
New York: Charles Scribner�s Sons, 1952
127 pages.
Comments by Bob Corbett
January 2006
Once again I return to the work of Ernest Hemingway after an almost 50 year hiatus. The Old Man and the Sea is a magnificent story. At one level it is the tale of a man and a fish, at another, a story of man versus nature, at yet another, the story of the culture of manhood, courage, bravery in the face of existence, and at yet another a history of what life was like when indivials were more the central actors on the human stage and not groups or organizations.
At the most basic level the very elderly fisherman, Santiago, goes out in his small fishing boat after 84 days without hooking a decent fish. He goes far out, and hooks a gigantic 18 foot long sword fish. The battle then begins, and the fish drags the small boat and Santiago far out to sea. For two days they battle, and Santiago wins that battle, but then loses the great fish on the way home to the scavenger sharks who find him easy prey.
Hemingway celebrates the courage and raw guts of this old man, even recounting a time in Casablanca when he had spent an entire day in an arm wrestling match with a much larger man in a seaside tavern. Hemingway celebrates a concept of humans as beings who go it alone, fierce, brave, courageous without even thinking about it, oozing strength from the nature of the best of the species.
The story is told with incredible economy of words and description, yet nothing is sacrificed which drives home the power and inner strength of this man, who just takes it as what he does, what it is to be a serious fisherman.
Hemingway�s world is not my world. I am no Santiago, no macho man. And the culture of today has little place left for the radical indivial whom Hemingway celebrates and Santiago portrays. Yet the power of Hemingway�s telling is such that I couldn�t help but be on Santiago�s side, to admire him, to ache with his loss in the end to forces greater than he.
There is a side tale as well. This great indivial, the man who stands alone, is not alone completely by choice. He has developed a friendship, a working relationship, a love with a young boy who began fishing with him when the boy was only five. Now the boy has moved on to another boat, a more successful one, at his parents� behest, but he pines to work with Santiago, and when the battle with the great fish has been engaged, Santiago pleads over and over and over: �I wish the boy were here.�
Like many readers who might come upon this novel today, I live a life of citified ease and comfort. A life far removed from harsh confrontations with nature. But Hemingway forces me to remember and acknowledge the indivial, the struggle for the most basic existence, the battle with nature for survival itself. But most importantly he makes one acknowledge the importance of the indivial and the magnificence of courage, skill, art and enrance.
5
The Old Man and the Sea
Simon & Schuster
The Old Man and the Sea was an enormous success for Ernest Hemingway when it was published in 1952. At first glance, the story appears to be an extremely simple story of an old Cuban fisherman (Santiago), who catches an enormously large fish then loses it again. But, there's much more to the story than that...
The Old Man and the Sea helped to revive Hemingway's reputation as a writer of great acclaim. This slim volume also contributed enormously to Hemingway's recognition as a world-renowned writer--with the award of the Nobel Prize for literature. The popular reception of the novel comes from its part-parable, part-eulogy style--recollecting a by-gone age in this spiritual quest for discovery. Touching and powerful in turns, the story is told in Hemingway's simple, brittle style. The book reaches out to a very human need--for stability and certainty.
Overview: The Old Man and the Sea
Santiago is an old man, and many are starting to think that he can no longer fish. He has gone for many months without landing any kind of fish to speak of; and his apprentice, a young man named Manolin, has gone to work for a more prosperous boat. The fisherman sets out into the open sea and goes a little further out than he normally would in his desperation to catch a fish. At noon, a big Marlin takes hold of one of the lines, but the fish is far too big for him to handle.
Hemingway pays great attention to the skill and dexterity that Santiago uses in coping with the fish. Santiago lets the fish have enough line, so that it won't break his pole; but he and his boat are dragged out to sea for three days. Finally, the fish--an enormous and worthy opponent--grows tired; and Santiago kills it. Even this final victory does not end the Santiago's journey; he is a still far, far out to sea. To make matters worse, Santiago drags the Marlin behind the boat (and the blood from the dead fish attracts sharks).
Santiago does his best to beat the sharks away, but his efforts are not enough. The sharks eat the flesh off the Marlin, and Santiago is left with only the bones. Santiago gets back to shore--weary and tired--with nothing to show for his pains but the skeletal remains of a large Marlin. Even with just the bare remains of the fish, the experience has changed him, and altered the perception others have of him. Manolin wakes him the morning after his return and suggests that they once more fish together.
6
I was very surprised when I finally tried to read this, and discovered that it bored the living crap out of me. I just couldn't get into it, I don't know why, maybe it was just my mood or something....? I mean, I do like Hemingway. I love the sea, and baseball. I am relatively fond of both old men and little boys (not like that, you fool).... and this is supposed to be really terrific and all, but I just.... I mean, I could've finished it of course, it's short, and it wouldn't have been like torture at all, but I just wasn't feeling it.... so I stopped.
Sometimes I think about making an "okay-so-does-this-mean-i'm-stupid-or-something?" shelf, but my ideological opposition to the idea has overridden that impulse every time.... so far.
Ⅶ 老人名言名句
1、歲老根彌壯，陽驕葉更陰。——宋·王安石
2、臣無祖母，無以至今日；祖母無臣，無以終余年。祖孫兩人，更相為命。——李密
3、滿目青山夕照明。——葉劍英
4、年高可可以帶來智慧與經歷。——英國
5、子曰：孝，天之經，地之義，民之行也。——康熙
6、將出牽衣送，未歸倚閣望。——黃遵憲
7、謹庠序之教，申之以孝悌之義，頒白者不負戴於道路矣！——孟子
8、為了孩子，我的舉動必須非常溫和而慎重。——馬克思
9、子女對父母有贍養扶助的義務。——佚名
10、老年人總以為自己狡猾。——托·富勒
11、教育技巧的全部奧秘也就在於如何愛護兒童。——蘇霍姆林斯基
12、慈母手中線，遊子身上衣。——孟郊
13、提琴雖老，仍可奏出好曲子。——英國
14、劍老無芒，人老無剛。——明·馮夢龍
14、對老年人的尊敬是自然和正常的，尊敬不僅表現於口頭上，而且應體現於實際中。——戴維·德克爾
15、當我們變老時，我們同時變得更愚蠢和聰明。——拉羅什富科
16、欲為聖朝除弊政，肯將衰朽惜殘年。——唐·韓愈
17、與其批評孩子，不如做個榜樣。——茹貝爾
18、必須拿出父母全部的愛、全部的智慧和所有的才能，才能培養出偉大的人來。——馬卡連柯
19、誰言寸草心，報得三春暉。——孟郊
20、壯心未與俱老，死去猶能作鬼雄。——宋·陸游
21、對父母養育之恩的報答，也是對人類勞動的尊重。——佚名
22、老驥思千里，飛鴻閱九洲。——宋·戴復古
23、日落西山，氣息奄奄，人命危淺，朝不慮夕。——晉·李密
24、五十歲時，你開始厭倦世界；六十歲時，卻是世界厭倦了你。——沃克森夏安納
25、子孝父心寬。——陳元靚
26、老驥伏櫪，志在千里；烈士暮年，壯心不已。——曹操
27、年高有德經驗多。——日本
28、人老無能，神老無靈。——清·李漁
29、莫把心愛的兒子留在你身邊，放他出外鍛煉才會名滿天下。——泰國
30、母親的心是兒女的天堂。——義大利
31、老年的悲劇不在於一個人已經衰老，而在於他依舊年輕。——王爾德
32、挾泰山以超北海，此不能也，非不為也；為老人折枝，是不為也，非不能也。——莊子
33、老年時像青年一樣高高興興吧！青年，好比百靈鳥，有它的晨歌；老年，好比夜鶯，應該有他的夜曲。——康德
34、為人年老沒心機，為筍年老沒人吃，熬糖老了第一苦，殘花莫望春風時。——廣西情歌
35、沒有父母的愛培養出來的人，往往是有缺陷的人。——馬卡連柯
36、殘燈猶未滅，將盡列揚輝。——南北朝·紀少瑜
37、無情未必真豪傑，憐子如何不丈夫。——魯迅
38、老去心情隨日減，遠來書信隔年間。——唐·元稹
39、老年有這么多缺陷和愚蠢，又這么容易受人恥笑。一個老人能夠得到的最好收獲不過是家人的仁慈和愛，統領和敬畏已不再是他的武器。——蒙田
40、我望著搖籃，我的兒子在成長，我沒有休息的權利！——何塞·馬蒂
41、不要擔心老起來，到你中止老起來的時候，你就死了。——歐洲
42、晚年惟好靜，萬事不關心。——唐·王維
43、老去悲秋強自寬。——唐·杜甫
44、老吾老，以及人之老；幼吾幼，以及人之幼。——孟子
45、獅子老了狼也譏。——阿拉伯
46、人老自多愁，水深難急流。——唐·李端
47、每個老人都抱怨世界在墮落，抱怨下一代的無禮和傲慢。——塞·約翰遜
48、垂頭自惜千金香，伏櫪仍存萬里心。——元·郝經
49、莫道桑榆晚，微霞尚洛天。——唐·劉禹錫
50、老來受尊敬，是人類精神最美好的一種特權。——司湯達
51、世無老而不學之理。——德國
52、用毆打來教育孩子，不過和類人猿教養它的後代相類似。——馬卡連柯
53、當身體依舊健壯時，就已在人生之路上蹣跚踉蹌，這是靈魂的羞恥。——馬可·奧勒留
54、你不同情跌倒在地的老人，在你摔跤時也沒有人來扶助。——印度
Ⅷ 適合老年人的名言名句
生活，真的很難解釋清楚。它永遠是個無法破譯的謎。青年人喜歡隨心所欲的生活，所以總是打破常規；老年人喜歡按部就班的生活，所以總有看不慣的事情；男人感受生活的輪廓，所以總是粗枝大葉；女人感受生活的細節，所以總是細致入微。有人因無所事事，而讓生活變得煩惱；有人因無所用心，而讓生活變得毫無意義；有人因無動於衷，而讓生活變得麻木；有人因無所適從，而讓生活變得無可奈何……
其實生活就是奮斗和收獲，人生是短暫的，人生是應該有合適的目標，人總是要有點精神的，無論做什麼總是要有所作為的，生活應該豐富多彩，應該是：不斷的求索，不斷的追求，不斷的奮斗，盡管前進的路上有汗水，可能還有眼淚，但一定會在成功中獲得快樂和享受。
幼童輕歲月，謂言可久長，一朝見零悴，嘆息向秋霜。迍邅已窮極，疢痾復不康，每恐先朝露，不見白日光。庶及盛年時，暫遂情所望。吉辰既乖越，來期眇未央。促促歲月盡，窮年空怨傷。
人生就像是一盤棋，對手則是我們身處的環境。有的人能預想十幾步，乃至幾十步之外，早早便做好安排；有的人只能看到幾步之外，甚至走一步，算一步。
注意了，我們是健康、快樂、幸福聯盟，已經把你包圍，趕快繳械投降吧，我們要把你的痛苦紅燒，把你的憂愁清燉，把你的煩惱醋溜！只剩我們將你圍繞！
從絕望中尋找希望，不再做命運的玩偶，從此刻起命運掌握在我的手中，痛苦你來吧 ，失去了再多又怎樣，有本事你就來得更猛些啊，看看誰怕誰！
當一個人沉醉在一個幻想之中，他就會把這幻想成模糊的情味，當做真實的酒。你喝酒為的是求醉；我喝酒為的是要從別種的醉酒中清醒過來。
年是新舊交替的分界線，是前進路上的加油站。年是最輕松、最溫柔、最快樂的時刻。到了這一天，過去的一切都結束了，一切可從頭再來。
經驗往往被人們當成愚蠢與悲傷的同義語。其實大可不必。假如我願意井確實從經驗中學習，那麼今天的教訓就會為明天的美好生活打下基
你給我一滴眼淚，我就看到了你心中全部的海洋。如果上帝要毀滅一個人必先令其瘋狂。可我瘋狂了這么久為何上帝還不把我毀掉。
生活要為理想而沖刺，不要放慢腳步，用正確的心態去面對。即使風雨，就當是一種歷練，就算是為生活畫卷增添色彩 。
要冒一險！整個生命就是一場冒險，走得最遠的人常是願意去做、願意去冒險的人。
當愛麗思丟失了通往仙境的鑰匙，她是應該難過的往回走，還是蹲下來哭泣？
站在煩惱中仰望幸福，一個人總在仰望和羨慕著別人的幸福。
許多事情都被慢慢拆下來拼湊在心裡，然後物是人非。
天天真真其實更迷人，簡簡單單其實已醉透我心！
智慧的代價是矛盾。這是人類對人行觀開的玩笑。
認識自己，降伏自己，改變自己，才能改變別人。
過去酒逢知己千懷少，現在酒逢千杯知己少。
沒有不透風的牆，沒有不能上吊的梁
Ⅸ 關於尊敬老人的名言名句
關於尊敬老人的名言名句
1、做為一個人，對父母要尊敬，對子女要慈愛，對窮親戚要慷慨，對一切人要有禮貌。——羅素
2、曾子曰：幸有三，大孝尊親，其次弗辱，其下能養。——（春秋）《禮記》
3、孝子事親，不可使其親有冷淡心，煩惱心，驚怖心，愁悶心，難言心，愧恨心。——袁采
4、羊有跪乳之恩，鴉有反哺之義。——《增廣賢文》
5、要問如何把親孝，孝親不止在吃穿；孝親不教親生氣，愛親敬親孝乃全。——《動報親恩篇》
6、要知親恩，看你兒郎；要求子順，先孝爹娘。——《四言》
7、一個人如果使自己的`母親傷心，無論他的地位多麼顯赫，無論他多麼有名，他都是一個卑劣的人。——(義大利)亞米契斯
8、有難事，弟子服其勞；有酒食，先生饌。曾是以為孝乎？ ——子夏
9、孝子親則子孝，欽於人則眾欽。——林逋《省心錄》
10、孝順還生孝順子，忤逆還生忤逆兒。 ——《增廣賢文》
11、孝敬父母經常可以代替最高貴的感情。——孟軻
12、親親，仁也；敬長，義也。——《孟子·盡心上》
13、親所好，力為具；親所惡，謹為去。——（清）李毓秀《弟子規》
14、親有過，諫使更。恬吾色，柔吾聲。——（清）李毓秀《弟子規》
15、人人親其親，長其長，而天下平。——孟子
16、身有傷，貽親憂；德有傷，貽親羞。——（請）李毓秀《弟子規》
17、慎，朝夕伺候莫厭煩。——《勸報親恩篇》
18、父在觀其志，父沒觀其行；三年無改於父之道，可謂孝矣。——孔子
19、好飯先盡爹娘用，好衣先盡爹娘穿。——《勸報親恩篇》
20、呼喚應聲不敢慢，誠心誠意麵帶歡。——《勸報親恩篇》
21、家貧知孝子，國亂識忠臣。——《名賢集》
22、勞苦莫教爹娘受，憂愁莫教爹娘耽。——《勸報親恩篇》
23、老人受尊敬，是人類精神最美好的一種特權。——(法)司湯達
24、老吾老以及人之老，幼吾幼以及人之幼。——孟子
25、慢人親者，不敬其親者也。——《三國志·魏書》
26、父母之年，不可不知也。一則以喜，一則以懼。 ——孔子
27、你希望子女怎樣對待你，你就怎樣對待你的父母。——伊索克拉底。
28、年老受尊敬是出現在人類社會里的第一種特權。——(法)拉法格
29、妻賢夫禍少，子孝父心寬。——《增廣賢文》
30、千萬經典，孝義為先。——《增廣賢文》
31、親愛我，孝何難；親惡我，孝方賢。 ——李毓秀《弟子規》
32、時時體貼爹娘意，莫教爹娘心掛牽。——《勸報親恩篇》
33、孝，德之始也，悌，德之序也，信，德之厚也，忠，德之正也。曾參中夫四德者也。——《家語·弟子行》
34、我們體貼老人，要像對待孩子一樣。——(德)歌德
35、為人子，止於孝；為人父，止於慈。——《大學》
36、所有傑出的非凡人物都有出色的母親，到了晚年都十分尊敬自己的母親，把他們當作最好的朋友。——(英)狄更斯
37、首孝弟，次謹信。——（清）李毓秀《弟子規》
38、事父母，幾諫，見志不從，又敬不違，勞而不怨。——孔子
Ⅹ 關於老人的名言
對老人的，我只聽說過，不聽老人言，吃虧在眼前