老人與海名句

A. 老人與海的經典名句是

生活總是讓我們遍體鱗傷，但到後來，那些受傷的地方一定會變成我們最強壯內的地方。
——海容明威《老人與海》

一個人可以被毀滅，但不能被打敗。
——海明威《老人與海》

現在不是去想缺少什麼的時候，該想一想憑現有的東西你能做什麼。
——海明威《老人與海》

一個人並不是生來要給打敗的，你盡可以把他消滅掉，可就是打不敗他。
——海明威《老人與海》

絕望是一種罪過。
——海明威《老人與海》

每一天都是一個新的日子。走運當然是好的，不過我情願做到分毫不差。這樣，運氣來的時候，你就有所准備了。
——海明威《老人與海》

人不抱希望是很傻的。
——海明威《老人與海》

等待也是種信念
海的愛太深，時間太淺
秋天的夜凋零在漫天落葉裡面，泛黃世界一點一點隨風而漸遠
——海明威《老人與海》

人不是生來就要被打敗的。
——海明威《老人與海》

B. 英文版《老人與海》小說中優美語句50句

1.It is what a man must do. 這是一個男子漢所應該做的。

2.I would rather be exact. Then when luck comes you are ready.

3.All my life the early sun has hurt my eyes, he thought. Yet they are still good. 生命中的旭陽刺痛了我的眼睛，他想。（據本人理解應為指早年初戀女友，那個護士的背叛）呵呵，還好這雙眼睛現在還挺好。

4.My big fish must be somewhere. 一定有屬於我的大魚在什麽地方等著。

5.The water was a dark blue now, so dark that it was almost purple. 如今的海水是深藍色的，深到幾乎成了紫色。

6.Most people are heartless about turtles because a turtle』s heart will beat for hours after he has been cut up and butchered. But the old man thought, I have such a heart too and my feet and hands are like theirs. 大多數人對待（海龜、甲魚之類的動物吧）很冷酷無情，因為海龜的心會在它身體被剖開和屠殺時，被時光打敗。（此句照應「A man can be destroyed but not defeated 」 「一個人可以被毀滅但是不能被打倒！」）

7.Now is no time to think of baseball, he thought. Now is the time to think of only one thing. That which I was born for. 現在沒有時間考慮棒球了，他想。此刻是只能思考一件事情的時候。那是，我生來是為了什麽。

8.It was considered a virtue not to talk unnecessarily at sea and the old man had always considered it so and respected it. But now he said his thoughts aloud many times since there was no one that they could annoy. 可以想像品德在海里就不必要說起了，而老人以前卻總是思考著，尊敬著它。可是現在，自從沒有了一個可能打攪的人，他就把那些想法高聲的說出來，好多次。

9.The tuna, the fishermen called all the fish of that species tuna and only distinguished among them by their proper names when they came to sell them or to trade them for t, were down again.
（金槍魚，漁人在售賣它們或者交易他們用作誘餌時，……）

10.He felt no strain nor weight and he held the line lightly. Then it came again. This time it was a tentative pull, not-solid nor heavy, and he knew exactly what it was. 他感覺沒有什麽拉力和重量，而輕輕的抓住魚線。之後它（指大魚）又來了。這次它僅僅拉了一會兒，不沉也不重，而他已經清楚的知道那是什麽魚了.

11.If you said a good thing, it might not happen. 如果你說出了一件好的事情，那麼那件好事可能就會不出現了。（大概可以理解為「天機不可泄露」）

12.What I will do if he decides to go down, I don』t know. What I』ll do if he sounds and dies I don』t know. But I 『ll do something. There are plenty of things I can do. 我不知道，如果他下來或者如果他倒地一聲死了，我要怎麼辦。但是我知道，我會做一些事情。還有很多東西我可以做。

13.Then he looked behind him and saw that no land was visible. That makes no difference, he thought. 然後他望向背後，卻發現，沒有一塊可以看見的陸地。他想，海洋沒有製造什麽差異，跟之前沒有什麽區別。

14.The position actually was only somewhat less intolerable; but he thought of it as almost comfortable. 實際上的方位只能稍微帶給人少許無法忍受的感覺，但他幾乎想像這是一件舒適的事情。

15.Then he thought, think of it always. Think of what you are doing. You must do nothing stupid.
Then he said aloud, 「I wish I had the boy. To help me and to see this.」 之後他總是想著，思考著這件事。思考你在干什麽。你不能做任何愚蠢的事情。然後他大聲的說：「我希望身邊有個男孩，可以幫助我，還有可以看到這。」

16.What a great fish he is and what he will bring in the market if the flesh is good. He took the t like a male and he pulls like a male and his fight has no panic in it. I wonder if he has any plans or if he is just as desperate as I am? 這是一個多麼龐大的魚，如果到時候還新鮮的話，他就拿到市場賣了。他像一個男子漢那樣，拿著誘餌還有拉著線，無畏的搏鬥著。我想知道，他是否有任何的安排，或者，他只是像我一樣，絕望了。

17.He was beautiful, the old man remembered, and he had stayed. 他很美麗，老人回憶著，還有他以前曾經逗留過。

18.Perhaps I should not have been a fisherman, he thought. But that was the thing that I was born for. 或許我不應該成為一個漁夫，他想。但是那是我生來的源由。

19.「 Fish,」 he said softly, aloud, 「 I 『ll stay with you until I am dead.」 「魚，」他柔和地說著，卻很響亮 ，「我會一直陪伴你直至我死去。」

20.He could feel the steady hard pull of the line and his left hand was cramped. It drew up tight on the heavy cord and he looked at it in disgust.
「What kind of a hand is that,」 he said. 「Cramp then if you want. Make yourself into a claw. It will do you no good.」 他能感覺到支架艱難的拉著，但是他的左手卻被夾住了。它被沉重的繩索捲住了，老人嫌惡的看著左手。

21.There is no sense in being anything but practical though, he thought. 著沒有了任何知覺……

22.I wish I could feed the fish, he thought. He is my brother. But I must kill him and keep strong to do it. Slowly and conscientiously he ate all of the wedge-shaped strips of fish. 我希望可以飼養這些魚兒，他想著。他是我的兄弟。但是我必須殺掉他，還有保證強壯的身體來處理它。憑良心，他慢慢的吃掉了所有楔形的細長的魚。

23.He looked across the sea and knew how alone he was now. But he could see the prisms in the deep dark water and the line stretching ahead and the strange unlation of the calm. The clouds were building up now for the trade wind and he looked ahead and saw a flight of wild cks etching themselves against the sky over the water, the blurring, then etching again and he knew no man was ever alone on the sea. 他眺望著海面，知道他此刻是多麼孤單。但是他可以看見在黑暗的深水裡的棱鏡和魚線往前和那平靜的波動。雲朵現在貿易風，他朝前望去，看到一個飛行的野鴨在水面上的天空，模糊，然後蝕刻再次和他知道沒有人是獨自在海上。

24.I hate a cramp, he thought. It is a treachery of one』s own body. It is humiliating before others to have a diarrhoea from ptomaine poisoning or to vomit from. But a cramp, he thought of it as a calambre, humiliates oneself especially when one is alone. 我恨抽筋，他想。這是對自己身體的背叛行為。它是在別人面前丟臉由於食物中毒而腹瀉或者嘔吐。但是抽筋，他認為這是一個calambre侮辱自己，尤其是當一個人是孤單的。

25.If I were him I would put in everything now and go until something broke. But, thank God, they are not as intelligent as we who kill them; although they are more noble and more able. 如果我是他，我會竭盡所能去直到事情發生。但是，感謝上帝，他們是不是我們誰殺了他們的智能；雖然他們更高貴、更能。

26.I wonder why he jumped, the old man thought. He jumped almost as though to show me how big he was. I know now, anyway, he thought. I wish I could show him what sort of man I am. But then he would see the cramped hand. Let him think I am more man than I am and I will be so. I wish I was the fish, he thought, with everything he has against only my will and my intelligence.
我想知道為什麼他跳了，老人想。他就好像讓我看看他有多大。現在我知道，無論如何，他認為。我希望我也能讓他看看我是什麼樣的人。然後他會看到這只抽筋的手。讓他覺得我比我的人，我會這樣。我希望我的魚，他認為，他所做的一切對我的意志和我的智慧。
27.He was comfortable but suffering, although he did not admit the suffering at all. 他是舒適而痛苦，雖然他根本不承認是痛苦。

28.He commenced to say his prayers mechanically. Sometimes he would be so tired that he could not remember the prayer and then he would say them fast so that they would come automatically. 他機械地念起祈禱文。有時他會很累很累，他不記得祈禱，然後他會說他們很快，它們會自動。

29.I must save all my strength now. Christ, I did not know he was so big.
「I 『ll kill him though,」 he said. 「 In all his greatness and his glory.
我眼下必須保存所有的精力。基督，我不知道他是如此之大。
「我會殺了他，」他說。「在他的偉大和榮耀。

30.Although it is unjust, he thought. But I will show him what a man can do and what a man enres. 然而這是不公平的，他想。但我會告訴他，什麼可以做，什麼人忍受。

31.The thousand times that he had proved it meant nothing. Now he was proving it again. Each time was a new time and he never thought about the past when he was doing it. 他證明了一千次這不意味著什麼。現在他再次證明這。每一次都是一個新的時間，他從來沒有想過去當他做了它。

32.Still I would rather be that beast down there in the darkness of the sea. 我還是情願做那隻待在黑暗的大海。

33.He did not truly feel good because the pain from the cord across his back had almost passed pain and gone into a llness that he mistrusted. But I have had worse things than that, he thought. 他並不真的覺得好因為索勒在背上的疼痛幾乎已經疼進入了一種使他不信任。但我有比這更糟糕的事情，他認為。

34.「The fish is my friend too,」 he said aloud. 「 I have never seen or heard of such a fish. But I must kill him. I am glad we do not have to try to kill the stars.」 「這魚是我的朋友，」他大聲地說。「我從來沒有見過或聽說過這樣的魚。但我必須殺了他。我很高興，我們不必去捕殺星星。」

35.Then he was sorry for the great fish that had nothing to eat and his determination to kill him never relaxed in his sorrow for him. How many people will he feed, he thought. But are they worthy to eat him? No, of course not. There is no one worthy of eating him from the manner of his behaviour and his great diginity. 然後他很同情那條大魚，沒有東西吃，他決心要殺死他從未放鬆他為他而悲傷。它能供多少人吃，他想。但他們配吃它嗎？不，當然不是。沒有人吃他從他的行為和他的偉大的尊嚴態度值得。
I do not understand these things, he thought. But it is good that we do not have to try to kill the sun or the moon or the stars. It is enough to live on the sea and kill our true brothers. 我不懂這些事，他認為。但它是好的，我們不必去弄死太陽或月亮或星星。它是足夠的以海為生，殺死我們的真正的兄弟。

36. I』m clear enough in the head, he thought. Too clear. I am as clear as the stars that are my brothers. Still I must sleep. 我的頭腦還足夠能清醒，他想。我太清醒了，清晰到就像群星是我的兄弟。所以我仍然必須睡覺。

37. 「 It is not bad,」 he said. 「 And pain does not matter to a man.」 「那還不錯，」他說，「並且，疼痛、傷痕對一個人來說不應該讓其成為問題。」

38. Now I must convince him and then I must kill him. 此刻我必須使他信服，然後我定殺了他。

39. I must hold his pain where it is, he thought. Mine does not matter. I can control mine. But his pain could drive him mad. 我一定要把握住他傷口所在之處，他想。我的傷口不是問題，我可以控制住自己，但是他的傷口會讓他發怒，失去理智。

40. Keep your head clear and know how to suffer like a man. 保持你頭腦的清醒，並且懂得如何像一個男子漢那樣承受痛苦。

41. Then the fish came alive, with his death in him, and rose high out of the water showing all his great length and width and all his power and his beauty. 然後魚活了過來，他的死他，高高地沖出水面，展現出其巨大的長度和寬度，和他所有的力量和他的美。

C. 老人與海中的50句經典語句

「可以捉到一千磅的大魚」
當他的大魚被鯊魚吃得僅剩下一副骨骼時，他自問：「可是，是什麼把你打敗的呢？」「什麼也不是……是我走得太遠啦。」老人勇敢地承認了自己的失敗，卻又絕對相信自我的力量。相信他縱然是失敗依然勇敢無比，相信在精神上並沒有敗給鯊魚，因為被消滅的是鯊魚，而不是自己，正是基於對待失敗的勇敢、毫不氣餒的精神，桑提亞哥體會到：「一旦給打敗，事情也就容易辦了」。
「現在只要把船盡可能好好地、靈巧地開往自己的港口去。」
「上面是一面千窗百孔的帆，上面先後補上了一些麵粉袋，如一面標志著被打敗的旗幟，」
「這算什麼，男子漢就得這樣。」
「去他媽的什麼運氣，我要運氣跟我走。」
。「海洋是仁慈的，十分美麗的，」最終給予了老人一條「比小船還長兩英尺」的大馬林魚。
「什麼是一個人能夠辦得到的」，「這一個總要去殺死那一個」，
「他扛著桅桿坐在那兒」，還有他睡覺的姿勢，「兩條胳膊直直地伸在外面，兩只手心朝上，就這樣瞅著了。」
人面對的兩難結局,有人說他沒打到魚雖然是一副骨架卻賣不了錢;有人說他打到魚了雖然是一副骨架......

當然．最經典的好象還是公認的」夢見了獅子

1

The Old Man and the Sea is the most classic and concernful novel of Hemmingway's. Its compendious expression and exciting fighting narrative attracts numerous readers. The author repeatedly emphasized his customary key thoughts in the story: despairing courage, struggling on both physically and psychologically, and the hero's brave, glory and noble character.

One of the pivotal sentences, "a man can be destroyed but not defeated" draws our attention. This sentence is gorgeous in surface but a little doubtful in a certain angle. In the end of the story the old man told to the boy that he was a loser who beaten by the sharks. With his bloody hands and the skeleton of the fish, it was really difficult to judge that he was defeated or not. However, he was undoubtedly destroyed in the fighting at the hopeless sea. Therefore, the difference between "destroy" and "defeated" was just something untraceable. We are not expected to tell one word form another, but to feel the antinomy and contact of them.

This sentence from the old man was also a reflection of the author himself. Sometimes we may treat a novel as some indivial and emotional words. The old man and the sea were the symbols of the author and his life and destiny. As we know, Hemingway suffered a lot from his broken life ring two ruthless world wars. In his late years, he was a successful litterateur but also a disable old man. He ended up his life with suicide. It's too arbitrary to say he was defeated from his fate, and also too shallow to use the word "destroy" in his experiences.

In my opinion, the most splendid thing in Hemmingway and his the Old Man and the Sea is not the VICTORY OF DEFEAT, but the relationship between the two words "defeat" and "destroy" as well as the novel and the author.

2
I have read the American well-known Hemingway』s book 『』 the old man and the sea』』, which came out in 1976. This is a true story about an old fisherman battling with a giant marlin in the sea.

The old fisherman, who names Santiago, have not caught any fish for 84 days , other fishermen looks down him as a loser, but he never gives up. Finally 85th days, he fishes a big marlin fish which is bigger than his skiff and over fifteen hundred pounds. The fish begins to tow him farther and farther out to the sea, but he still holds onto the line, even though a hand is cramping, he don』t give up it. After two days and two nights』 crucifixion, at the end he kills the fish, and attaches the marlin to the outside of the skiff with rope, it』s blood leaves a trail in the water and attracts sharks in return journey, he comes to strike back against and uses to all tools which are harpoon, knife, and quant . When Santiago returns to harbor is left over with the fish head fishtail and one backbone. Although the flesh of fish has been got rid of all quilt barking, what also has no way to devastate his brave will. When he lay down on the bed at home, he makes a usual dream of lions at play on the beaches of Africa.

This story happened in 1940th near a Gulf Stream in Cuba. The main character Santiago is an old man, who fishes alone in a skiff in the Gulf Stream and lives a small village. He is characterized as someone struggling against defeat. The second character Manolin is a young boy whom Santiago teaches to fish. The litter boy is his loyal friend. Language is great simplicity and power. The theme of courage in the face of defeat, of personal triumph won from loss. It is a song of praise of heroism.

The Author, Ernest Miller Hemingway is a famous writer in the literary world. 『』The old man and the sea』』 was written in 1952, and it is one of Hemingway』s most enring works .It won the 1954 Nobel Prize for Literature. The author wants to told readers ,you will be supposed to like this old person same mind lofty aspiration, and will even better pursue even better, the bigger goal, don』t easy give up your goal in your life.

The novel shows a view about struggle of life, even in the face of nature can』t be conquered, but still can be moral victory. Perhaps the result of a failure, but I n the struggle of process, the reader can see how a person become an indomitable spirit of man. I like the main character Santiago and the classic saying 『』But man is not made for defeat. A man can be destroyed but not defeated』』, because this is Santiago』s faith of life, and the human will not fail also, the enterprise spirit of a carols. It is encouraging me to face up to life with smiles no matter what happens. It's a simple story, but offers the reader much to think about without lapsing into the didactic. I am strongly recommend that book.

3

THE OLD MAN AND THE SEA
Ernest Hemingway
New York: Charles Scribner�s Sons, 1952
127 pages.

Comments by Bob Corbett
January 2006

Once again I return to the work of Ernest Hemingway after an almost 50 year hiatus. The Old Man and the Sea is a magnificent story. At one level it is the tale of a man and a fish, at another, a story of man versus nature, at yet another, the story of the culture of manhood, courage, bravery in the face of existence, and at yet another a history of what life was like when indivials were more the central actors on the human stage and not groups or organizations.

At the most basic level the very elderly fisherman, Santiago, goes out in his small fishing boat after 84 days without hooking a decent fish. He goes far out, and hooks a gigantic 18 foot long sword fish. The battle then begins, and the fish drags the small boat and Santiago far out to sea. For two days they battle, and Santiago wins that battle, but then loses the great fish on the way home to the scavenger sharks who find him easy prey.

Hemingway celebrates the courage and raw guts of this old man, even recounting a time in Casablanca when he had spent an entire day in an arm wrestling match with a much larger man in a seaside tavern. Hemingway celebrates a concept of humans as beings who go it alone, fierce, brave, courageous without even thinking about it, oozing strength from the nature of the best of the species.

The story is told with incredible economy of words and description, yet nothing is sacrificed which drives home the power and inner strength of this man, who just takes it as what he does, what it is to be a serious fisherman.

Hemingway�s world is not my world. I am no Santiago, no macho man. And the culture of today has little place left for the radical indivial whom Hemingway celebrates and Santiago portrays. Yet the power of Hemingway�s telling is such that I couldn�t help but be on Santiago�s side, to admire him, to ache with his loss in the end to forces greater than he.

There is a side tale as well. This great indivial, the man who stands alone, is not alone completely by choice. He has developed a friendship, a working relationship, a love with a young boy who began fishing with him when the boy was only five. Now the boy has moved on to another boat, a more successful one, at his parents� behest, but he pines to work with Santiago, and when the battle with the great fish has been engaged, Santiago pleads over and over and over: �I wish the boy were here.�

Like many readers who might come upon this novel today, I live a life of citified ease and comfort. A life far removed from harsh confrontations with nature. But Hemingway forces me to remember and acknowledge the indivial, the struggle for the most basic existence, the battle with nature for survival itself. But most importantly he makes one acknowledge the importance of the indivial and the magnificence of courage, skill, art and enrance.

5
The Old Man and the Sea

Simon & Schuster
The Old Man and the Sea was an enormous success for Ernest Hemingway when it was published in 1952. At first glance, the story appears to be an extremely simple story of an old Cuban fisherman (Santiago), who catches an enormously large fish then loses it again. But, there's much more to the story than that...
The Old Man and the Sea helped to revive Hemingway's reputation as a writer of great acclaim. This slim volume also contributed enormously to Hemingway's recognition as a world-renowned writer--with the award of the Nobel Prize for literature. The popular reception of the novel comes from its part-parable, part-eulogy style--recollecting a by-gone age in this spiritual quest for discovery. Touching and powerful in turns, the story is told in Hemingway's simple, brittle style. The book reaches out to a very human need--for stability and certainty.

Overview: The Old Man and the Sea

Santiago is an old man, and many are starting to think that he can no longer fish. He has gone for many months without landing any kind of fish to speak of; and his apprentice, a young man named Manolin, has gone to work for a more prosperous boat. The fisherman sets out into the open sea and goes a little further out than he normally would in his desperation to catch a fish. At noon, a big Marlin takes hold of one of the lines, but the fish is far too big for him to handle.
Hemingway pays great attention to the skill and dexterity that Santiago uses in coping with the fish. Santiago lets the fish have enough line, so that it won't break his pole; but he and his boat are dragged out to sea for three days. Finally, the fish--an enormous and worthy opponent--grows tired; and Santiago kills it. Even this final victory does not end the Santiago's journey; he is a still far, far out to sea. To make matters worse, Santiago drags the Marlin behind the boat (and the blood from the dead fish attracts sharks).

Santiago does his best to beat the sharks away, but his efforts are not enough. The sharks eat the flesh off the Marlin, and Santiago is left with only the bones. Santiago gets back to shore--weary and tired--with nothing to show for his pains but the skeletal remains of a large Marlin. Even with just the bare remains of the fish, the experience has changed him, and altered the perception others have of him. Manolin wakes him the morning after his return and suggests that they once more fish together.

6
I was very surprised when I finally tried to read this, and discovered that it bored the living crap out of me. I just couldn't get into it, I don't know why, maybe it was just my mood or something....? I mean, I do like Hemingway. I love the sea, and baseball. I am relatively fond of both old men and little boys (not like that, you fool).... and this is supposed to be really terrific and all, but I just.... I mean, I could've finished it of course, it's short, and it wouldn't have been like torture at all, but I just wasn't feeling it.... so I stopped.

Sometimes I think about making an "okay-so-does-this-mean-i'm-stupid-or-something?" shelf, but my ideological opposition to the idea has overridden that impulse every time.... so far.

D. 老人與海的經典名句是

生活總是讓我們遍體鱗傷，但到後來，那些受傷的地方一定會變成我們最專強壯的地方。屬
——海明威《老人與海》
一個人可以被毀滅，但不能被打敗。
——海明威《老人與海》
現在不是去想缺少什麼的時候，該想一想憑現有的東西你能做什麼。
——海明威《老人與海》
一個人並不是生來要給打敗的，你盡可以把他消滅掉，可就是打不敗他。
——海明威《老人與海》
絕望是一種罪過。
——海明威《老人與海》
每一天都是一個新的日子。走運當然是好的，不過我情願做到分毫不差。這樣，運氣來的時候，你就有所准備了。
——海明威《老人與海》
人不抱希望是很傻的。
——海明威《老人與海》
等待也是種信念
海的愛太深，時間太淺
秋天的夜凋零在漫天落葉裡面，泛黃世界一點一點隨風而漸遠
——海明威《老人與海》
人不是生來就要被打敗的。
——海明威《老人與海》

E. 老人與海里的名句

1，總那麼愉快，從不沮喪。 ----歐內斯特·海明威
2，這兩個肩膀挺怪，人非常老邁了，肩膀卻依然很強健，脖子也依然很壯實，而且當老人睡著了，腦袋向前耷拉著的時候，皺紋也不大明顯了。 ——海明威 《 老人與海》
3，在某種意義上，所有事物都在互相殘殺。捕魚就是要了我的老命，可是它同時也養活我。 ——海明威 《老人與海》
4，一個人可以接受被毀滅的事實，卻無法接受被打敗的事實。
5，一個人並不是生來要給打敗的，??你盡可把他消滅掉，可就是打不敗他。 ——海明威 《老人與海》
6，現在不是去想缺少什麼的時候，該想一想憑現有的東西你能做什麼。 ——海明威 《老人與海》
7，我討厭抽筋，這是身體對自身的背叛。 ——海明威 《老人與海》
8，我可是寧願化身為藏在海底的那眾生。 ----歐內斯特·海明威
9，太順利太好的事總是長久不了。 ----海明威
10，他做出的選擇是留在黑暗的深海，遠遠地逃離一切羅網、陷阱和詭計。 ----海明威
11，他心想，你做每一件事都做得太久，做得太晚，你就不能指望發現別人仍然在陪著你啦。人已經全走了。酒盡杯空，曲終人散。 ----海明威
12，他是個獨自在灣流中一條小船上釣魚的老人，至今已去了八十四天，一條魚也沒逮住。 ——海明威 《老人與海》
13，他身上一切都老了，只有一雙眼睛還像海水一般碧藍，
14，他明白沒有人在海上是 完全孤獨的。 ----海明威
15，他斷定，只要他想贏的心夠重，他就什麼人也能打敗。 ----海明威
16，他的眼睛跟海水一般藍，眼神樂觀，一副好像從未被打敗似的神情。
17，如果一個人每天都要殺死太陽會是什麼情景？我們生來就很幸運。 ----海明威
18，人從來就不是為失敗而生的，人可以被毀滅但永遠都不會被打敗！ ----海明威
19，人不是生來就要被打敗的。 ——海明威 《老人與海》
20，人不抱希望是很傻的。 ——海明威 《老人與海》
21，人並不比飛禽走獸高明多少，
22，年歲是我的鬧鍾 ——海明威 《老人與海》
23，你真心真意地愛它，敬重它，那麼你殺死它，就不能算是罪過吧。還是，屬於更大的罪過？ ----海明威
24，你殺死這條魚並不光為了養活自己和賣給別人做食物，他想。你為了自尊心而殺死它，也因為你是一個漁夫。 ----海明威
25，你盡可把他消滅掉，可就是打不敗他。 ----海明威
26，你都累到骨頭里去了。 ——海明威 《老人與海》
27，每一天都是一個新的日子。走運當然是好的，不過我情願做到分毫不差。這樣，運氣來的時候，你就有所准備了。 ——海明威 《老人與海》
28，每一次都是新的開始，每一次要這么做的時候，他決不會去思考過去的豐功偉績。 ----海明威
29，每樣東西都會殺死別的東西，只不過方式不同罷了 ----海明威
30，老人又一次夢見了獅子。 ——歐內斯特·海明威 《老人與海》
31，老人消瘦而憔悴，脖頸上有些很深的皺紋。腮幫上有些褐斑，那是太陽在熱帶海面上反射的光線所引起的良性皮膚癌變。褐斑從他臉的兩側一 直蔓延下去，他 的雙手常用繩索拉大魚，留下了刻得很深的傷疤。但是這些傷疤中沒有一塊是新的。它們象無魚可打的沙漠中被侵蝕的地方一般古老。他身上的一切都顯得古老，除了那雙眼睛，它們象海水一般藍，是愉快而不肯認輸的。 ——海明威 《老人與海》
32，絕望是一種罪過。 ——海明威 《老人與海》
33，借錢是乞討的開始。 ----歐內斯特·海明威
34，好運氣這個東西，是裝扮成好多樣子來的，沒人認得出。 ----海明威
35，好久以來，吃飯使他感到厭煩，因此從來不帶午飯。他在小船上的船頭上放著一瓶水，一整天只需要這個就夠了。 ----海明威
36，等待也是種信念 海的愛太深，時間太淺 秋天的夜凋零在漫天落葉裡面，泛黃世界一點一點隨風而漸遠 《老人與海》
37，但是這些傷疤中沒有一塊是新的。它們像無魚可打的沙漠中被侵蝕的地方一般古老。他身上的一切都顯得古老，除了那雙眼睛，它們像海水一 般藍，是愉快而 不肯認輸的。 ——海明威 《老人與海》
38，不過話得說回來，沒有一樁事是容易的。 ——海明威 《老人與海》
39，搏鬥，直到戰死。 ——海明威 《老人與海》
40，「陸地上空的雲塊這時候像山岡般聳立著,海岸只剩下一長條綠色的線,背後是些灰青色的小山.海水此刻呈現藍色,深的簡直發紫了. ——海明威」 《老人與海》
41，「不過人不是為失敗而生的，」他說,「一個人可以被毀滅，但不能被打敗。」 ----海明威
42，「A man can be destroyed, but not defeated. ——Ernest Hemingway 《the Old Man and the Sea》」

F. 老人與海的名言名句

1. 一個人可以被毀滅，但不能被打敗。

2. 現在不是去想缺少什麼的時候，該想一想憑現有的東西你能做什麼。

3. 一個人並不是生來要給打敗的，你盡可以把他消滅掉，可就是打不敗他。
   

G. 《老人與海》情節經典名句

1.每一天都是一個新的日子。走運當然是好。不過我情願做到分毫不差。這樣，運氣來的時候，你就有所准備了。(Every
day
is
a
new
day.
It
is
better
to
be
lucky.
But
I
would
rather
be
exact.
Then
when
luck
comes
you
are
ready.)
2.不過話得說回來，沒有一樁事是容易的。(But,
then,
nothing
is
easy.)
3.「不過人不是為失敗而生的，」他說,「一個人可以被毀滅，但不能被打敗。」。（But
man
is
not
made
for
defeat,
a
man
can
be
destroyed
but
not
defeated.）
4.陸地上空的雲塊這時候像山岡般聳立著,海岸只剩下一長條綠色的線,背後是些灰青色的小山.海水此刻呈現藍色,深的簡直發紫了..(The
clouds
over
the
land
now
rose
like
mountains
and
the
coast
was
only
a
long
green
line
with
the
gray
blue
hills
behind
it.
The
water
was
a
dark
blue
now,
so
dark
that
it
was
almost
purple.)
5.現在不是去想缺少什麼的時候，該想一想憑現有的東西你能做什麼。。(Now
is
no
time
to
think
of
what
you
do
not
have.
Think
of
what
you
can
do
with
what
there
is.)
6.人不抱希望是很傻的。(
It
is
silly
not
to
hope,
he
thought.)
7.但是這些傷疤中沒有一塊是新的。它們象無魚可打的沙漠中被侵蝕的地方一般古老。他身上的一切都顯得古老，除了那雙眼睛，它們象海水一般藍，是愉快而不肯認輸的。(But
none
of
these
scars
were
fresh.
They
were
as
old
as
erosions
in
a
fishless
desert.
Everything
about
him
was
old
except
his
eyes
and
they
were
the
same
color
as
the
sea
and
were
cheerful
and
undefeated.)
8.這兩個肩膀挺怪，人非常老邁了，肩膀卻依然很強健，脖子也依然很壯實，而且當老人睡著了，腦袋向前耷拉著的時候，皺紋也不大明顯了。(They
were
strange
shoulders,
still
powerful
although
very
old,
and
the
neck
was
still
strong
too
and
the
creases
did
not
show
so
much
when
the
old
man
was
asleep
and
his
head
fallen
forward.)
9.他的襯衫上不知打了多少次補丁，弄得象他那張帆一樣，這些補丁被陽光曬得褪成了許多深淺不同的顏色。(His
shirt
had
been
patched
so
many
times
that
it
was
like
the
sail
and
the
patches
were
faded
to
many
different
shades
by
the
sun.)
10.老人消瘦憔悴，瘦骨嶙峋，脖頸上盡是很深的皺紋。腮幫和脖子上有很多褐斑，那是長年累月暴露在太陽下所造成的良性皮膚癌變。他的雙手常用繩索拉大魚，留下了刻得很深的累累傷疤。但是這些傷疤中沒有一塊是新的。它們就像無魚可打的沙漠中被侵蝕的岩石一般古老。

H. 《老人與海》里的名句是

精彩語言
1.每一天都是一個新的日子。走運當然是好。不過我情願做到專分毫不差。這樣，運屬氣來的時候，你就有所准備了。
2.不過話得說回來，沒有一樁事是容易的。
3.「不過人不是為失敗而生的，」他說,「一個人可以被毀滅，但不能被打敗。」

I. 《老人與海》中的名言

老人與海》，是現代美國小說作家海明威創作於1952年的一部中篇小說，也是作者生前發表的最後一部小說。作為他最著名的作品之一，它圍繞一位老年古巴漁夫展開，講述他與一條巨大的馬林魚在離岸很遠的灣流中搏鬥的歷程。雖然對它有不同的文學評價，但它在20世紀小說和海明威的作品中是值得注目的，奠定了他在世界文學中的突出地位。

該書一九五二年首次面世，一九五三年榮獲普利策獎，一九五四年榮獲第五十四屆諾貝爾文學獎。

它以簡潔有力的文字，講述了一個老人出海捕魚的簡單故事，詮釋了意蘊深刻的主題：在面對挫折和失敗時，我們首先要戰勝自己，才能在與命運斗爭的鏖戰中扳回一局。世界名著《老人與海》20句經典語錄：直戳人心，簡單卻飽含哲理

1. 一個人並不是生來就要被打敗的，人盡可以被毀滅，但卻不能被打敗。

2. 除了一雙眼睛，他渾身上下都很蒼老。那雙眼睛樂觀而且永不言敗，色彩跟大海一樣。

3. 每天都是新的一天，有好運比什麼都強。

4. 太陽落山我不怕，直對著看也不覺眼前發黑。

5. 太順利太好的事總是長久不了。

6. 冰山運動之雄偉壯觀，是因為它只有八分之一在水面上。

7. 如果台風將至，要是你在海上，那麼幾天前你就可以看到徵兆了。岸上的人看不到是因為他們不懂得如何觀察。

8. 我像你這個年紀的時候，已經是個水手了，跟著一條橫帆船到了非洲。那時候經常能看見傍晚在海灘上休息的獅子呢。

9、他確信，只要他很想擊敗誰，就能擊敗誰。

10、你可以消滅我，可就是打不敗我，打不敗我。

11、他想，這一回它們可把我打敗了。我已經上了年紀，不能拿棍子把鯊魚給打死。但是，只要我有漿，有舵把，我一定要想辦法去揍死他們。

12、不過話得說回來，沒有一樁事是容易的。

13、他的希望和信心從沒消失過。現在可又象微風初起時那麼清新了。

14、他想，可是我一定要想。因為我剩下的只有想想了。

15、每一次都是新的開始，每一次要這么做的時候，他決不會去思考過去的豐功偉績。

J. ＜老人與海＞中的名句求~

1.每一天都是一個新的日子。走運當然是好。不過我情願做到分毫不差。這樣專，運氣來的時候，屬你就有所准備了。

2.不過話得說回來，沒有一樁事是容易的。

3.「不過人不是為失敗而生的，」他說,「一個人可以被毀滅，但不能被打敗。」

4.陸地上空的雲塊這時候像山岡般聳立著,海岸只剩下一長條綠色的線,背後是些灰青色的小山.海水此刻呈現藍色,深的簡直發紫了.

5.現在不是去想缺少什麼的時候，該想一想憑現有的東西你能做什麼。

6.人不抱希望是很傻的。

參考 網路